Using reflections in wildlife photography can add emotion and an extra dimension to your images.  Read how I define the three types of reflections and what works for me.

Stari Most is a 16th-century Ottoman bridge in the city of Mostar in Bosnia and Herzegovina that crosses the Neretva River connecting the two parts of the city. Read more about this bridge and Suleiman the Magnificent.

Photographing the Church of Saint Mary of Nazareth at the Discalced Carmelites in Venice,  was like stepping back in time.  Not having a Tilt-Shift adapter for my Hasselblad, this single shot image required a significant amount of Photoshop work to correct the tilt distortion resulting from shooting upward.  Read on about the history of this church and the two photographs that I walked away with.  If I had only looked up.

Rock and Roll.  Bluring the foreground by capturing the motion of the gondolas is an effective way to emphasize the main point of interest without making the photograph so busy that the viewer gets lots.  Read more about this location.

If you are a convicted criminal, your view from this bridge could be your last view of Venice.  Find out why.

What does a night time traffic jam look like on the Grand Canal in Venice?  Read more to find out.

The Accademia Bridge over the Grand Canal in Venice.  Using a long exposure allowed me to capture movement of the clouds and boats as the morning started to come alive.

Venice, where the canals and waterways provide the lifeblood of the city.  More about my first morning of shooting, just steps from my hotel.

Reflections are an important part of photographic story telling when working around reflective surfaces such as water.  Read on for an insight on how I use them in my imagery as well as different approaches to reflections you should consider in your wildlife photography.